Copyright
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Whose Show is it anyway? Television Format Rights and the Limits of Indian Copyright Law
Devansh Bansal is a 4th-year B.A. LL.B. (Hons.) student at Symbiosis Law School, Nagpur, with a strong focus on Intellectual Property Rights, Media & Entertainment, and Technology, Media & Telecom… Read more.
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From Piracy Of Copyright To Piracy Of The Public Domain: How Technology Is Quietly Rewriting Copyright Law In India
Mahak Bhardwaj is a fourth-year student of BBA LLB (Hons) at the SVKM’s NMIMS Kirit P. Mehta School of Law, Mumbai. Mohit Jain is a fourth-year student of BSc LLB… Read more.
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How to Train Your AI? The Copyright Predicament of Training Generative AI Models
Syed Suhaib is a final-year law student at the University Institute of Legal Studies, Chandigarh University, specialising in Corporate Law. He presently serves as an Editor at the All India Commercial… Read more.
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Theoretical Underpinnings of Copyright Law – Justifying the Triadic Relationship
INTRODUCTION Copyright law is often understood to mean an exclusive right of the author of intellectual expression over their work be it- literary, artistic, musical or dramatic work – bestowing… Read more.
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The Sci-Hub case: Lessons for policy and lawmakers
We, humans, love stories; so much so that we built our whole social, cultural, and economic structures around fictional stories. The story of democracy, the story of justice, the story… Read more.
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Drawing the Line between Originality and Influence with reference to Michael Skidmore V. Led Zeppelin
Introduction Copyright is explained in Section 102 of Chapter 1 of Title 17 of the United States Code, where it states that Copyright Protection supports original work of authorship in… Read more.
